ON THE SITE Sweat and moisture-yield of useful substances up and fixing them there - on the face: – my inner beauty cosmetics. UNLOADING. 1. The manipulator today has brought eight trays and tiles, and borders. The managers called us. Unloading: one of us jumped on Board, the other on the ground. The second year, the tile is put in one pallet – if different; if there are repetitions, then the pallet on the pallet. Right from the corner of the house, the pallets are made up between the trees, in front of the trees, on the asphalt in two rows. Today tile – hot biscuits: fluffy, fragrant, asprawl, the smell of fresh dough. Unload carefully, so that neither the edge is broken off, nor the tile in three parts does not burst. Came: gray-Greece, California, Sandstone, Star and under marble-Greece, California, Sandstone. Running the tile to the road. Why drag from the far corner-extra work. 2. the far corner is traditionally reserved for the curb. Sometimes curb managers would order three or four pallets of forty. Gray, Greece, Greek marble, plain border. They are in the far corner, and if the same type, then the pallet on the pallet. 3. Unloaded and went to the objects-free labor is over. OLD WAREHOUSE. 1. from this pocket behind the stall, the tile makers went to work, to the world, to the book. We have about six double-pallet storage spaces in our first tile warehouse. As you enter: on the left hand, a pallet with cement thirty/fifty bags under the film – for a week, at the height of the season, produced; on the right, rows of tiles, four rows of two piles, in front of you, at the porch, curbs, flat, stacks; on the porch, tiles are mixed, or colored tiles: black, red, dark/blue, dark/maroon... left, behind the cement two double pan under the borders, there they are: flat, thick, long, short, and right borders discord, curbs last year Yes, shop with a box donated to us three years ago – there Yes drives stored. Beyond the curbs is the end of the warehouse: there is an empty right corner, and on the left three rows of small Sandstone-long ago folded... with some object removed but not attached in any way. 2. From the tile warehouse, through the back porch of the managers ' house, between the pines, on the right hand diagonally, we have raw tape: - slides-construction sand-machine, medium crushed stone machine, granite crumb machine, small crushed stone machine, large crushed stone machine. 3. ...I pass the UAZ To the sand. We collect six bags with a partner. Get them on Board. I move forward, collect three bags of rubble, throw the tile forward, today the volume is large, I will take the curbs with the second walk. UAZ is good: low landing, the side door is maneuverable, but in order not to kill the car, we always plan two trips initially – first raw materials, then tiles and a curb. Raw materials, tiles loaded; threw cement, if there is water in the tank, poured two cans of twenty-liter water-also on Board; generator, grinders, also with us, buckets of tools, a can of gasoline. The car is Packed. To the object! PATH. We are going to use a space ship loaded with tiles, curbs, materials, and equipment. Travel time is a rest time: we eat, talk, discuss the object, build the logic of work. OBJECT. 1. The material thrown off at the curb. My partner stayed. Tools, buckets, shovels – also on the ground. The Board is empty. Back to the base (in the stall). Carefully drove up to the fence, where the tile, tile and curb threw. Even for cutting kotsannoy on the corners of the tiles typed... I returned to the object, dragged the bucket to the object, unwound the extension cord, pulled out the mixer, poured water into the bucket, poured sand, cement, about one to three in proportion, started the generator, mixed the bucket ninety liters-the solution is ready. Went to work: the partner prepares the site-cuts the turf, removes the grass, digs the monument, indicates the parameters of the site on the fence. They poured out sand together, leveled the area with rammers (meter-long birch logs with a crossbar). On top of the large rubble thrown, leveled, rammed it. We chose one of three options for creating a tile web by laying from the first tile: 1. From the monument – the first tile on the left near the castle. 2. From the gate-rows in front of the flower beds, if not a multiple of the whole tile-insets at the flower beds. 3. Rows vertical from the lock, and if the first one at the gate does not lie down to the side wall multiple of the tile – we make a drink: right along the fence. We put the first option. Mixed up on seventeen/twenty tiles. If you get eighty tiles, then at least four kneading should be done, and this is a bag and a half of cement, six or eight bags of sand, and ten bags of crushed stone. You need a lot of sand: both for filling and in the solution, and for sprinkling around the tile, the entire area, and in the flower garden. 2. Small architectural forms: - this is a special design, spirit, mood, setting of the work. Symmetry and geometry are the first two words on the object. The tiles the corners are straight and if the object is not observed between the geometry of monument, fence, table, bench, everything is mined, perekidyvaetsya, re: tile clay – not crushes, not gave way, will not buckle; if there was roulette with the installation of monuments, benches, tables, fences, the tile fixes it. ... When the object is symmetrical Yes correctly, then the object looks, sees, makes love. My vision is the king of symmetry and if in nature, in the city, in the country if I see the beauty of mathematics in an object, I consider it a masterpiece. In horizontal symmetry, I add vertical symmetry - I often raise the entire object above ground level by ten or fifteen centimeters to a separate platform. Lifting is useful for the tile web. Especially in the spring, this works when the snow melts: the ice breaks over our area due to the rise and the pressure on the tile decreases. It happens-such layers, when they move freely, then tilt, demolish hundreds of monuments, and our tile, bunker, platform stands still. ... We make a volume from the plane, raising the height of tile laying by fifteen centimeters due to leveling with sand, and filling in rubble; first, we make a good longitudinal drainage, and secondly, when the layer begins to form – it, first, does not go, and secondly, along the perimeter of the object loses the lower plane unified at the same height. ... Ice movements become fragmentary, multi-vector. And our ingenuity: we do drainage, dig a small moat around the fence – for water accumulation, the height of the object is fifteen centimeters and the moat is another fifteen centimeters – thirty centimeters the total height of the wall of the mini-fortress is obtained. When you put borders, it is even easier – the height of the border is ten centimeters-a bunker: inside the rubble, the solution on top of the tile and all this is overlaid with borders. 3. Competently progarchives with the pouring, wet, and a couple of times progarchives. When you spill, then you are silent, you hear the hiss and bursts of air bubbles coming out from under the tile like a vispa chocolate or a film from under computer equipment-when you press it with your fingers. In addition to this, water seeps directly into the rubble, dragging the solution with it and down relative to the General layer of solution under the tile. The spillage gave the effect of a self-leveling floor: all the air pockets under the tiles were filled with prancing, including the cone and tunnel spaces. ... The object is ready... installed a table, a bench; made drainage: under the curb, it is made wider – the width of a shovel, when there is no curb, it is deepened by half a bayonet cone: on the human body, if the situation allows, you make a General, sanitary district around the object, bypassing it with a shovel and garden scissors. Vegetation is harmful to the tile, so bushes and bushes are pulled out: the area should be warmed up; trees are also dug out or two rows of lower branches are cut off. Not necessarily for height, for human growth, if the tree is young, the two lower rows of branches are cut off: the air will not stagnate, the tile will not be covered with a wet film, dew, and moss will not begin to grow in the seams. 4. Last year, all at once, turned over and it became clear that water at the facility should not be: – before, there was nothing under the flower beds, they made flowerbeds and through them, as through wells – the masses of water went under the tiles in heavy rains, and in winter – frost everything swelled, tore, broke from the inside; the next year in the flower beds were already nesting midges, mice, flies, even bees and wasps. ... Now we fill the area under the flower beds first with large rubble, Ramm it, reinforce it, – lay the solution with a tape – put a monument! Yes, the moisture will go, but not the mass, the sieve/crushed stone of the twentieth fraction, the dome makes it possible to circulate and air flows, and give a conditional density to the entire tile web. Inside the flower garden, I-roughly, wide, sweeping, thickly smear the solution/concrete, leaving for air/water communication a cone the size of two palms. There are no more reservoirs on the objects: water rolls down from the monument through tiles, borders, and into drainage trenches. Flowers can be grown in tubs set on tiles; behind the fence, if space allows, you can plant beds: and elongated, and square, and oval, and round. 5. we Try to take out thickets, shrubs, trees from the object, eliminate flowerbeds. The best option is to lay out tiles, and on top of everything else-benches, tables, flower beds, monuments. So far, everything is traditional in volume – the installation of monuments, their lining with tiles, and the setting of borders. Made. We counted how many tiles, borders and additional gestures we made on the object. 6. People-are drawn to right angles, to symmetry, to correct geometry, to neat volumes-cubes-this is inside a person! How many times have I noticed that if everything is mathematically verified In the places of Memory, then people come and go to us! Make an order, stay, give the day away. People go to math: – in the level/horizon exposed: a fence, a bench, a table, a monument, a tile is laid, a curb is installed on objects near the road, which are seen by all passing, passing – pick up the human mind. 7. Women love the mathematical cleanliness of tile makers. When handing over an object, sometimes they ask for a couple of strokes to indicate. You drive up and mark it, doing the rough work. This is our style. We make objects with and without customers. Without customers, this is specific – you know it remotely, judging by the object, by its appearance, by how everything is well-groomed or not very well-groomed. There is a risk without a customer. Risk of additional work before delivery after showing the object. This is why we always call the customer before we start working. We discuss everything. Someone stays with us. Someone arrives during work hours. Someone is pulling up to the end of the job. Because of this, we hand over objects immediately. 8. Today (January 2015), when praising the text of the book, asked: – how do I earn my first million rubles? To keep it second. ... Fate gave me the first money from 1992 to 1994: I didn't keep it then – the ruble was young. Fate gave me a second chance from 2008 to 2014: with warnings, I was a guide dog. ... ...Three lines with a short answer, how to raise one million rubles for the second time: – 1 (3) year (s) of silence, – 2 (5) years (years) without sex, – 3 (7) years of sobriety! Numbers in parentheses are years from the start of the post - since July 2006. In the first figures – years from the start of labor - since may 2008. .... The story "Two lemons". Vladimir, 2015. To be continued...
TWO LEMONS Tiler's business calendar for 2014
:Сергей Субботенко
PART TWO:
ON THE SITE
Sweat and moisture-yield of useful substances
up and fixing them there - on the face:
– my inner beauty cosmetics.
UNLOADING.
1. The manipulator today has brought eight trays and tiles, and borders.
The managers called us.
Unloading: one of us jumped on Board, the other on the ground.
The second year, the tile is put in one pallet – if different; if there are repetitions, then the pallet on the pallet.
Right from the corner of the house, the pallets are made up between the trees, in front of the trees, on the asphalt in two rows.
Today tile – hot biscuits: fluffy, fragrant, asprawl, the smell of fresh dough.
Unload carefully, so that neither the edge is broken off, nor the tile in three parts does not burst.
Came: gray-Greece, California, Sandstone, Star and under marble-Greece, California, Sandstone.
Running the tile to the road. Why drag from the far corner-extra work.
2. the far corner is traditionally reserved for the curb.
Sometimes curb managers would order three or four pallets of forty.
Gray, Greece, Greek marble, plain border.
They are in the far corner, and if the same type, then the pallet on the pallet.
3. Unloaded and went to the objects-free labor is over.
OLD WAREHOUSE.
1. from this pocket behind the stall, the tile makers went to work, to the world, to the book. We have about six double-pallet storage spaces in our first tile warehouse. As you enter: on the left hand, a pallet with cement thirty/fifty bags under the film – for a week, at the height of the season, produced; on the right, rows of tiles, four rows of two piles, in front of you, at the porch, curbs, flat, stacks; on the porch, tiles are mixed, or colored tiles: black, red, dark/blue, dark/maroon... left, behind the cement two double pan under the borders, there they are: flat, thick, long, short, and right borders discord, curbs last year Yes, shop with a box donated to us three years ago – there Yes drives stored. Beyond the curbs is the end of the warehouse: there is an empty right corner, and on the left three rows of small Sandstone-long ago folded... with some object removed but not attached in any way.
2. From the tile warehouse, through the back porch of the managers ' house, between the pines, on the right hand diagonally, we have raw tape:
- slides-construction sand-machine, medium crushed stone machine,
granite crumb machine, small crushed stone machine, large crushed stone machine.
3. ...I pass the UAZ To the sand. We collect six bags with a partner. Get them on Board. I move forward, collect three bags of rubble, throw the tile forward, today the volume is large, I will take the curbs with the second walk. UAZ is good: low landing, the side door is maneuverable, but in order not to kill the car, we always plan two trips initially – first raw materials, then tiles and a curb.
Raw materials, tiles loaded; threw cement, if there is water in the tank, poured two cans of twenty-liter water-also on Board; generator, grinders, also with us, buckets of tools, a can of gasoline. The car is Packed. To the object!
PATH.
We are going to use a space ship loaded with tiles, curbs, materials, and equipment.
Travel time is a rest time: we eat, talk, discuss the object, build the logic of work.
OBJECT.
1. The material thrown off at the curb. My partner stayed. Tools, buckets, shovels – also on the ground.
The Board is empty. Back to the base (in the stall). Carefully drove up to the fence, where the tile, tile and curb threw.
Even for cutting kotsannoy on the corners of the tiles typed...
I returned to the object, dragged the bucket to the object, unwound the extension cord, pulled out the mixer, poured water into the bucket, poured sand, cement, about one to three in proportion, started the generator, mixed the bucket ninety liters-the solution is ready. Went to work: the partner prepares the site-cuts the turf, removes the grass, digs the monument, indicates the parameters of the site on the fence.
They poured out sand together, leveled the area with rammers (meter-long birch logs with a crossbar). On top of the large rubble thrown, leveled, rammed it.
We chose one of three options for creating a tile web by laying from the first tile:
1. From the monument – the first tile on the left near the castle.
2. From the gate-rows in front of the flower beds, if not a multiple of the whole tile-insets at the flower beds.
3. Rows vertical from the lock, and if the first one at the gate does not lie down to the side wall multiple of the tile – we make a drink: right along the fence.
We put the first option. Mixed up on seventeen/twenty tiles. If you get eighty tiles, then at least four kneading should be done, and this is a bag and a half of cement, six or eight bags of sand, and ten bags of crushed stone. You need a lot of sand: both for filling and in the solution, and for sprinkling around the tile, the entire area, and in the flower garden.
2. Small architectural forms: - this is a special design, spirit, mood, setting of the work. Symmetry and geometry are the first two words on the object. The tiles the corners are straight and if the object is not observed between the geometry of monument, fence, table, bench, everything is mined, perekidyvaetsya, re: tile clay – not crushes, not gave way, will not buckle; if there was roulette with the installation of monuments, benches, tables, fences, the tile fixes it.
...
When the object is symmetrical Yes correctly, then the object looks, sees, makes love.
My vision is the king of symmetry and if in nature, in the city, in the country
if I see the beauty of mathematics in an object, I consider it a masterpiece.
In horizontal symmetry, I add vertical symmetry - I often raise the entire object above ground level by ten or fifteen centimeters to a separate platform.
Lifting is useful for the tile web. Especially in the spring, this works when the snow melts: the ice breaks over our area due to the rise and the pressure on the tile decreases. It happens-such layers, when they move freely, then tilt, demolish hundreds of monuments, and our tile, bunker, platform stands still.
...
We make a volume from the plane, raising the height of tile laying by fifteen centimeters due to leveling with sand, and filling in rubble; first, we make a good longitudinal drainage, and secondly, when the layer begins to form – it, first, does not go, and secondly, along the perimeter of the object loses the lower plane unified at the same height.
...
Ice movements become fragmentary, multi-vector. And our ingenuity: we do drainage, dig a small moat around the fence – for water accumulation, the height of the object is fifteen centimeters and the moat is another fifteen centimeters – thirty centimeters the total height of the wall of the mini-fortress is obtained. When you put borders, it is even easier – the height of the border is ten centimeters-a bunker: inside the rubble, the solution on top of the tile and all this is overlaid with borders.
3. Competently progarchives with the pouring, wet, and a couple of times progarchives. When you spill, then you are silent, you hear the hiss and bursts of air bubbles coming out from under the tile like a vispa chocolate or a film from under computer equipment-when you press it with your fingers. In addition to this, water seeps directly into the rubble, dragging the solution with it and down relative to the General layer of solution under the tile. The spillage gave the effect of a self-leveling floor: all the air pockets under the tiles were filled with prancing, including the cone and tunnel spaces.
...
The object is ready... installed a table, a bench; made drainage: under the curb, it is made wider – the width of a shovel, when there is no curb, it is deepened by half a bayonet cone: on the human body, if the situation allows, you make a General, sanitary district around the object, bypassing it with a shovel and garden scissors. Vegetation is harmful to the tile, so bushes and bushes are pulled out: the area should be warmed up; trees are also dug out or two rows of lower branches are cut off. Not necessarily for height, for human growth, if the tree is young, the two lower rows of branches are cut off: the air will not stagnate, the tile will not be covered with a wet film, dew, and moss will not begin to grow in the seams.
4. Last year, all at once, turned over and it became clear that water at the facility should not be:
– before, there was nothing under the flower beds, they made flowerbeds and through them, as through wells – the masses of water went under the tiles in heavy rains, and in winter – frost everything swelled, tore, broke from the inside; the next year in the flower beds were already nesting midges, mice, flies, even bees and wasps.
...
Now we fill the area under the flower beds first with large rubble, Ramm it, reinforce it, – lay the solution with a tape – put a monument! Yes, the moisture will go, but not the mass, the sieve/crushed stone of the twentieth fraction, the dome makes it possible to circulate and air flows, and give a conditional density to the entire tile web. Inside the flower garden, I-roughly, wide, sweeping, thickly smear the solution/concrete, leaving for air/water communication a cone the size of two palms. There are no more reservoirs on the objects: water rolls down from the monument through tiles, borders, and into drainage trenches. Flowers can be grown in tubs set on tiles; behind the fence, if space allows, you can plant beds: and elongated, and square, and oval, and round.
5. we Try to take out thickets, shrubs, trees from the object, eliminate flowerbeds.
The best option is to lay out tiles, and on top of everything else-benches, tables, flower beds, monuments.
So far, everything is traditional in volume – the installation of monuments, their lining with tiles, and the setting of borders.
Made. We counted how many tiles, borders and additional gestures we made on the object.
6. People-are drawn to right angles, to symmetry, to correct geometry, to neat volumes-cubes-this is inside a person! How many times have I noticed that if everything is mathematically verified In the places of Memory, then people come and go to us! Make an order, stay, give the day away. People go to math:
– in the level/horizon exposed: a fence, a bench, a table, a monument, a tile is laid, a curb is installed on objects near the road, which are seen by all passing, passing – pick up the human mind.
7. Women love the mathematical cleanliness of tile makers.
When handing over an object, sometimes they ask for a couple of strokes to indicate.
You drive up and mark it, doing the rough work.
This is our style. We make objects with and without customers.
Without customers, this is specific – you know it remotely, judging by the object, by its appearance, by how everything is well-groomed or not very well-groomed. There is a risk without a customer. Risk of additional work before delivery after showing the object. This is why we always call the customer before we start working. We discuss everything. Someone stays with us. Someone arrives during work hours. Someone is pulling up to the end of the job. Because of this, we hand over objects immediately.
8. Today (January 2015), when praising the text of the book, asked:
– how do I earn my first million rubles? To keep it second.
...
Fate gave me the first money from 1992 to 1994: I didn't keep it then – the ruble was young.
Fate gave me a second chance from 2008 to 2014: with warnings, I was a guide dog.
...
...Three lines with a short answer, how to raise one million rubles for the second time:
– 1 (3) year (s) of silence,
– 2 (5) years (years) without sex,
– 3 (7) years of sobriety!
Numbers in parentheses are years from the start of the post - since July 2006.
In the first figures – years from the start of labor - since may 2008.
....
The story
"Two lemons".
Vladimir, 2015.
To be continued...